Introduction
Released on 21 June 2011, “The Process of Human Extermination” by Fit For An Autopsy is a significant entry in the deathcore genre. This debut studio album showcases the band’s raw energy and technical prowess. Produced by guitarist Will Putney, the album was recorded at Nuthouse Studios in Hoboken and The Machine Shop in Weehawken, New Jersey. Despite its niche appeal, the album left a lasting impact on the heavy music scene, influencing numerous bands that followed.
This article will delve into the album’s creation, recording process, commercial performance, and more. We will explore the cultural environment that shaped it, the recording challenges, and its reception. Additionally, we will examine its legacy and the influence it had on subsequent artists.
Attribute | Details |
---|---|
Release date | 21 June 2011 |
Album title | The Process of Human Extermination |
Genre | Deathcore |
Total runtime | 32:38 |
Number of tracks | 10 |
Record label | BMA |
Recording studio | Nuthouse Studios, The Machine Shop |
Producer(s) | Will Putney |
The album’s influence is underscored by its aggressive sound and thematic depth. Nate Johnson, the lead vocalist, once remarked, “We wanted to create something that reflected the chaos of our world.” Such statements highlight the band’s intent to challenge and engage listeners. As we delve deeper, you’ll discover why this album remains a cornerstone of its genre.
The Genesis of “The Process of Human Extermination”
The early 2010s marked a vibrant period for deathcore, with many bands pushing the boundaries of extreme music. Fit For An Autopsy, hailing from New Jersey, was no exception. Their previous EP, “Hell on Earth,” laid the groundwork for what would become their debut album. It was a time of experimentation and refinement for the band, setting the stage for their next big project.
Before the album, the band was already gaining attention for their intense live performances and technical skills. This reputation helped them secure a deal with BMA, a label known for its support of heavy music. The lineup, featuring Nate Johnson on vocals, Pat Sheridan on guitars, and Will Putney handling guitars, bass, and production, was integral to shaping the album’s sound.
Financially, the band faced challenges typical of a debut release. They had to balance their artistic vision with budget constraints. The album’s title and artwork, designed by Aaron Marsh, reflect themes of humanity’s darker side, which are central to the album’s narrative.
Band Member | Instrument/Role |
---|---|
Nate Johnson | Lead vocals |
Pat Sheridan | Guitars, backing vocals |
Will Putney | Guitars, bass, production |
Brian Mathis | Drums |
The album’s title, “The Process of Human Extermination,” was inspired by the band’s perception of societal decay. The cover art, featuring bleak imagery, was designed to evoke a sense of urgency and reflection. These elements combined to create a compelling package that resonated with fans and critics alike.
Recording Process
Recording “The Process of Human Extermination” was both a challenging and rewarding experience for the band. The sessions took place at Nuthouse Studios in Hoboken and The Machine Shop in Weehawken, New Jersey. These studios were chosen for their state-of-the-art facilities and proximity to the band’s base of operations.
Will Putney, the producer, played a pivotal role in the recording process. Known for his meticulous approach, Putney ensured that the band’s vision was captured with precision. His previous experience with bands like Body Count and Every Time I Die brought valuable insights to the sessions.
The studios were equipped with a range of high-quality hardware, likely including industry-standard microphones, mixing desks, and compressors. The band’s guitars and basses would have been recorded through powerful amps and cabs, typical of the era’s heavy music production.
Despite the technical challenges, the band remained focused on their creative goals. Will Putney’s role extended beyond production; he also contributed as a guitarist and bassist, ensuring a cohesive sound. The following table lists other albums produced by Putney, showcasing his extensive work in the genre.
Producer | Artist | Album | Year |
---|---|---|---|
Will Putney | Norma Jean | All Hail | 2019 |
Will Putney | Body Count | Bloodlust | 2017 |
Will Putney | The Ghost Inside | The Ghost Inside | 2020 |
Will Putney | Every Time I Die | Low Teens | 2016 |
Will Putney | Parkway Drive | This Could Be Heartbreak | 2016 |
Commercial Performance and Reception
Upon its release, “The Process of Human Extermination” received a warm reception from the deathcore community. Although it did not chart on the Billboard 200, it found a dedicated audience. The album’s raw energy and thematic depth resonated with fans, securing its place in the band’s discography.
Fit For An Autopsy’s discography showcases their evolution as artists. The following table lists their studio albums, highlighting “The Process of Human Extermination” as a pivotal release.
Album | Year | Producer |
---|---|---|
The Process of Human Extermination | 2011 | Will Putney |
Hellbound | 2013 | Will Putney |
Absolute Hope Absolute Hell | 2015 | Will Putney |
The Great Collapse | 2017 | Will Putney |
The Sea of Tragic Beasts | 2019 | Will Putney |
Oh What the Future Holds | 2022 | Will Putney |
In 2011, several other notable albums were released in the heavy music scene, reflecting the diversity and innovation within the genre:
- Relentless Reckless Forever by Children of Bodom
- Imaginaerum by Nightwish
Although “The Process of Human Extermination” did not receive major awards, its influence is undeniable. It set a benchmark for the band’s future work and contributed to the evolution of deathcore.
In 2011, the heavy metal world saw many changes, with bands like Black Sabbath and System of a Down reuniting. These events, alongside the release of Fit For An Autopsy’s debut, underscored a year of transformation and nostalgia in the metal community.
Singles and Track Analysis
“The Process of Human Extermination” featured two singles that captured the essence of the album. “The Conquerer” and “The Consumer” were released prior to the album, showcasing the band’s intense sound and thematic focus. Both singles received positive feedback, further establishing the band’s reputation.
The following table provides a detailed overview of the album’s tracks, including their lengths and songwriting credits.
Track Name | Length | Writing Credit |
---|---|---|
The Conquerer* | 4:14 | Fit For An Autopsy |
The Colonist | 2:59 | Fit For An Autopsy |
The Desecrator | 2:50 | Fit For An Autopsy |
The Juggernaut | 2:53 | Fit For An Autopsy |
The Wolf | 2:29 | Fit For An Autopsy |
The Consumer* | 2:42 | Fit For An Autopsy |
The Locust | 3:09 | Fit For An Autopsy |
The False Prophet | 3:18 | Fit For An Autopsy |
The Jackal | 3:22 | Fit For An Autopsy |
The Executioner | 4:38 | Fit For An Autopsy |
Note: Tracks marked with * were released as singles.
The singles, “The Conquerer” and “The Consumer,” did not chart but were instrumental in building anticipation for the album. They highlighted the band’s lyrical themes, focusing on societal and existential issues.
Influences and Legacy
The influences behind “The Process of Human Extermination” are rooted in the broader deathcore and metal genres. Bands like The Black Dahlia Murder and All Shall Perish had a significant impact on Fit For An Autopsy’s sound. The album, in turn, inspired a new generation of heavy bands, solidifying its place in the genre’s history.
The following table outlines the influences on the album and the artists it subsequently inspired.
Influences on “The Process of Human Extermination” | Artists Influenced by “The Process of Human Extermination” |
---|---|
The Black Dahlia Murder | Thy Art Is Murder |
All Shall Perish | Lorna Shore |
In 2011, the world witnessed significant events such as the Arab Spring and the death of Osama bin Laden. These global occurrences, alongside cultural shifts in music and media, created a backdrop against which Fit For An Autopsy’s debut was released. The album’s themes of chaos and societal critique resonated with the era’s tumultuous spirit.
Five Things about The Process of Human Extermination
The album “The Process of Human Extermination” is rich with fascinating details that enhance its allure. Here are five verified facts about this influential work.
Fact | Details |
---|---|
Debut Album | It marked Fit For An Autopsy’s entry into the studio album realm. |
Producer | Produced by the band’s guitarist, Will Putney. |
Studio Locations | Recorded in Hoboken and Weehawken, New Jersey. |
Lyrical Themes | Focuses on societal decay and existential dread. |
Artwork | Designed by Aaron Marsh, reflecting the album’s dark themes. |
Critical Reviews and Retrospectives
Upon its release, “The Process of Human Extermination” garnered mixed reviews. Critics praised the band’s technical prowess but noted areas for improvement. The album’s thematic depth was a common point of discussion, with many acknowledging its ambitious scope.
The following table summarises notable reviews and their insights.
Publication | Review Score | Notable Quotes | Source |
---|---|---|---|
Under the Gun Review | 7/10 | “Shows promise but needs more depth.” | Read more |
After The Process of Human Extermination
Following the release of their debut album, Fit For An Autopsy continued to evolve. Their subsequent albums, such as “Hellbound” and “Absolute Hope Absolute Hell,” demonstrated growth in both sound and lyrical content. The band experienced lineup changes, with Nate Johnson departing and Joe Badolato joining as the new vocalist.
As of 25 October 2024, Fit For An Autopsy remains active, having released their latest album, “The Nothing That Is.” Their continued success is a testament to their ability to adapt and innovate within the deathcore genre.
Conclusion
“The Process of Human Extermination” remains a significant album in the deathcore genre. Its themes of societal decay and technical prowess continue to resonate with fans. The album’s legacy is evident in the many bands it has influenced, cementing its place in the history of heavy music.
Further Reading
- Gojira – From Mars to Sirius (Blog Article)
- Nirvana – Nevermind (Blog Article)
- Sepultura – Chaos A.D. (Blog Article)
- Wikipedia page for “The Process of Human Extermination”
- Official Fit For An Autopsy website
- BMA Records website
Let us know in the comments what your thoughts are on The Process of Human Extermination by Fit For An Autopsy. Did we miss anything? Share your experiences and join the conversation!