The Making of So Far, So Good… So What! by Megadeth

Introduction

In the thrash metal landscape of the late 1980s, few albums captured the chaotic energy and technical prowess of the genre quite like Megadeth’s “So Far, So Good…So What!”. Released in January 1988, this album stands as a testament to the band’s turbulent journey and unyielding dedication to their craft. As the third studio album by Megadeth, it not only showcases the evolution of the band’s sound but also marks a significant chapter in the annals of heavy metal history.

This article will delve into the intricate details of the album’s creation, its recording process, commercial performance, and the lasting legacy it has carved out in music history. We’ll explore the challenges faced during production, the impact it had upon release, and how it continues to influence artists today.

The impact of “So Far, So Good…So What!” was immediate and enduring, pushing Megadeth further into the spotlight of the metal scene. Despite mixed reviews over the years, its significance remains, both as a reflection of the band’s struggles and as a critical piece of the thrash metal puzzle. As Dave Mustaine once remarked, “We were trying to make a statement, and I think we did” (source: Loudwire).

The Genesis of “So Far, So Good…So What!”

The late 1980s was a vibrant period for heavy metal, with thrash metal gaining significant traction. Bands like Metallica, Slayer, and Anthrax were defining the genre’s sound, and Megadeth was determined to carve out its niche. With “Peace Sells…but Who’s Buying?” laying the groundwork, the anticipation for their next release was palpable.

Megadeth’s journey was fraught with personal and professional upheavals. Following the departure of guitarist Chris Poland and drummer Gar Samuelson due to internal conflicts, the band saw new members Chuck Behler and Jeff Young step in. This shift was both a challenge and an opportunity to redefine their sound and dynamic.

The main creative force behind the album was, as always, Dave Mustaine, with contributions from bassist David Ellefson. Mustaine’s vision was clear, though not without obstacles. The album’s title, a nod to the band’s no-holds-barred attitude, encapsulated their approach. The artwork, designed by Hugh Syme, further cemented its iconic status, featuring a dystopian image that mirrored the themes explored within.

The album was financed by Capitol Records, with a budget that allowed for ambitious production, though not without financial strain. The challenges of balancing artistic vision with financial constraints were ever-present, yet the result was an album that pushed boundaries both musically and thematically.

Recording Process

The recording sessions were as intense as the music itself. Taking place at Music Grinder Studios in Los Angeles, the process was marred by internal strife and Mustaine’s struggles with substance abuse. These sessions were a test of resilience, with the band pushing through personal demons to deliver their vision.

Key personnel included producer Paul Lani, whose approach was sometimes at odds with Mustaine’s vision. Lani’s previous experience with remixing “Peace Sells…but Who’s Buying?” brought a level of familiarity, yet tensions arose, leading to his eventual replacement by Michael Wagener for the final mix.

One of the more challenging aspects of the recording was the internal discord and Mustaine’s dissatisfaction with the initial mixes. An anecdote recalls Mustaine’s frustration with Lani’s eccentricities, which ultimately led to a change in the production team. Despite these hurdles, the album emerged as a raw and powerful testament to the band’s capabilities.

Paul Lani’s and Dave Mustaine’s production efforts were pivotal, with each bringing a unique perspective to the table. Here’s a look at other albums they have worked on:

Commercial Performance and Reception

The release of marked a significant moment for Megadeth, as the album climbed to impressive chart positions worldwide. Despite the lack of radio play, it secured a spot in the top 30 of the Billboard 200, illustrating its commercial appeal and the band’s growing fanbase.

Here is a comparison of Megadeth’s album sales:

The album was certified platinum in the United States and Canada, and silver in the United Kingdom, underscoring its widespread appeal. In the competitive landscape of 1988, it held its own against releases from other major artists.

Other albums released in 1988:

• …And Justice for All by Metallica [5 million]
• South of Heaven by Slayer [500,000]
• State of Euphoria by Anthrax [500,000]

“So Far, So Good…So What!” received accolades for its raw energy and technical proficiency, even as it faced mixed reviews in later years. It remains a critical part of Megadeth’s discography, recognized for its contributions to the thrash metal genre.

Singles and Track Analysis

The singles helped cement its status as a thrash metal classic. These tracks showcased the band’s ability to blend complex instrumentation with potent lyrical themes.

Below is a detailed table of the album’s tracks:

Note: Tracks marked with * were released as singles. “In My Darkest Hour” reached number 12 on the UK Rock Chart.

Influences and Legacy

The musical influences on “So Far, So Good…So What!” were diverse, ranging from punk rock to the burgeoning thrash metal scene. Megadeth drew inspiration from the raw energy of bands like the Sex Pistols, evident in their cover of “Anarchy in the U.K.”, while also incorporating the complex arrangements characteristic of the genre.

Below is a table of influences:

Released in 1988, the album came at a time of significant global and cultural shifts. The year saw the release of the first Internet worm, the establishment of permanent intercontinental Internet links, and significant political changes in the Soviet Union and Eastern Europe. In the world of cinema, “Rain Man” topped the box office, and films like “Who Framed Roger Rabbit” and “Coming to America” became cultural touchstones.

Five Things about So Far, So Good…So What!

As we delve deeper into the intricacies of “So Far, So Good…So What!”, here are five fascinating facts about the album:

Media and Television Usage

Despite its critical acclaim, songs from “So Far, So Good…So What!” have not been prominently featured in media. Our research did not uncover any instances of tracks from this album being used in movies or television.

Critical Reviews and Retrospectives

Over the years, “So Far, So Good…So What!” has been subject to varied critical reception. Upon its release, the album was praised for its technical skill and thematic depth, though some critics noted a lack of cohesion compared to previous works.

Here is a selection of reviews:

After So Far, So Good…So What!

Following the release of “So Far, So Good…So What!”, Megadeth continued to evolve both musically and personally. The album marked a transitional phase, leading to further lineup changes and setting the stage for the critically acclaimed “Rust in Peace” in 1990.

In the years since, Megadeth has experienced various shifts in popularity and personnel. As of October 2023, the band remains active, with Dave Mustaine at the helm, continuing to tour and release new music.

Remasters and Reissues

The enduring appeal of “So Far, So Good…So What!” has led to several remasters and reissues over the years, allowing new generations of fans to experience its raw power.

Conclusion

“So Far, So Good…So What!” remains a pivotal album in Megadeth’s discography and the broader thrash metal genre. Its enduring relevance is a testament to the band’s ability to channel personal and professional turmoil into a compelling musical narrative. As Mustaine reflects, the album captures a moment of raw intensity and ambition that continues to resonate with fans old and new.

For further exploration, consider visiting the Wikipedia page for the album, the official Megadeth website, or the Capitol Records website.

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